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Apollo et Hyacinthus : ウィキペディア英語版
Apollo et Hyacinthus

''Apollo et Hyacinthus'' is an opera, K. 38, written in 1767 by Wolfgang Amadeus Mozart, who was 11 years old at the time. It is Mozart's first true opera (when one considers that ''Die Schuldigkeit des ersten Gebots'' is simply a sacred drama). It is in three acts. As is suggested by the name, the opera is based upon Greek mythology as told by Roman poet Ovid in his masterwork ''Metamorphoses''. Interpreting this work, Rufinus Widl wrote the libretto in Latin.
== History ==
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After notable success in other areas of Europe, Mozart was commissioned to compose a piece for the Benedictine University in his hometown of Salzburg. Mozart's Father, Leopold, was a notable name at the university, as many of his pupils were enrolled in the university high school, where theater played a large role in the curriculum.
Mozart's first encounter with the university was at the age of five on September 1 and 3, 1761, when he appeared as an extra in Jakob Anton Wimmer and Johann Ernst Eberlin's Latin Drama ''Sigismundes Hungariae Rex.'' Though Mozart was often involved at the University, he was never enrolled as a student.
''Apollo Et Hyacinthus'' was part of a much lager work, which has caused debate as to whether this work can be considered Mozart's first 'operatic work.' Many historians consider it to be operatic because it is a secular drama composed of five arias, two duets, a chorus and a trio, connected with recitative. However, it was part of the annual end-of-term 'final comoedia' and did not even receive a distinguishing name until Mozart's sister Nannerl entered it into Leopold's 'catalogue' of his son's early works with the name ''Apollo und Hyacinth'' after the composer's death. The custom at the university was to perform short musical dramas or 'intermedia' interspersed between acts of the larger play. This particular performance was of the five-act tragedy ''Clementia Croesi'', written by the university's philosophy professor Rufinius Widl. The main work and Mozart's intermedia were designed by Widl to share general motifs and themes. Widl's tragedy dealt with the accidental death of the son of the King of Lydia by a misplaced spear throw. Mozart's work paralleled this theme by mounting a story first told by Euripides. In the original story, Apollo accidentally kills his lover, a boy named Hyacinth, with one of his stray discus throws. The discus throw was encouraged by Apollo's rival, Zephyr, jealous of his affair with Hyacinth. A grief stricken Apollo then causes a gorgeous flower to bloom from Hyacinth's grave. Father Rufinius retained the outlined of this plot but removed the obviously controversial themes of a homosexual love triangle by adding in two new characters: Hyacinth's father Oebalus and his sister Melia, the new source of Apollo's love and the jealousy of Zephyr. The performance was a great success but was only performed once during the composer's lifetime.

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